L’arbre sans feuille (Rakuyôju – 落葉樹)
Titre anglais : Tree Without Leaves
Titre allemand : Der Laubbaum
Titre espagnol : El árbol sin hojas
Titre russe : Дерево без листьев
Titre original : Rakuyôju – 落葉樹
Titre allemand : Der Laubbaum
Titre espagnol : El árbol sin hojas
Titre russe : Дерево без листьев
Titre original : Rakuyôju – 落葉樹
Titres alternatifs :
Raku-yo-ju | Deciduous Tree | Árbol sin hojas
Raku-yo-ju | Deciduous Tree | Árbol sin hojas
Drame de famille – Le Japon
Année de production : 1986
Durée du film : 105 minutes
Année de production : 1986
Durée du film : 105 minutes
Réalisateur : Kaneto Shindô
Livre : Kaneto Shindô
Caméra : Yoshiyuki Miyake
Musique : Hikaru Hayashi
Livre : Kaneto Shindô
Caméra : Yoshiyuki Miyake
Musique : Hikaru Hayashi
Description du film :
Haru, an aging scriptwriter, has isolated himself somewhere in the woods of Nagano to work on his first novel. As the last surviving member of his kin, he intends to chronicle the family he grew up in.
The story is simple. Haru has a mother who is dedicated to him in every way, emotionally engaged and prepared for extreme sacrifice for the smallest pleasure for him. On the other side is a father so stern he makes Bergman’s Scandinavian Lutherans seem mild. The mother dies when Haru is 11; all the siblings have fled and the boy at the end is stuck with his father, penniless. The thing is framed as the book the boy writes, now old and missing key parts of his soul. Lots of snow. Lots of lonely stares that contrast with the wide eyes of young Haru, selfish and demanding.
The story is simple. Haru has a mother who is dedicated to him in every way, emotionally engaged and prepared for extreme sacrifice for the smallest pleasure for him. On the other side is a father so stern he makes Bergman’s Scandinavian Lutherans seem mild. The mother dies when Haru is 11; all the siblings have fled and the boy at the end is stuck with his father, penniless. The thing is framed as the book the boy writes, now old and missing key parts of his soul. Lots of snow. Lots of lonely stares that contrast with the wide eyes of young Haru, selfish and demanding.
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